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adopt the children of a couple who continue to procreate despite the precarious economic conditions? Supreme


Supreme Court Judgement No- 24 589 of 21 November 2009.
I could not even find the text of the sentence, which would be justified only in serious injury resulting in the specific situation for those children covered. On it also weighs on the dubious ground that held the couple's choice. For the title appeared on the website and in newspapers deserves a question mark.

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OUR ORCHESTRA: AN OPEN LETTER TO THE CITIZENS AND BOLOGNA



We are a group of citizens who for years following the concerts of the Orchestra del Teatro Comunale di Bologna, proud of the success in collecting and Italy abroad and appreciate the musical talent and hard work.
It 's a pleasure to go to concerts and see each time the high quality and passion of who runs them, quality and professionalism and passion show through the often masterful and moving performances of the works. All
quality - by the way - that does not seem to be dependent by issues such as the "total hours" or in the general rules included in the contract between the teachers and the Foundation Orchestra del Teatro Comunale di Bologna, but which are based on years of rigorous selection, study and dedication.

Given this wealth of our city we are ashamed of this continuous and daily trickle towards the artists - because this is - who play in the Orchestra.
There are many things that there are clear and that as citizens we have the right to know.
first question of all that we can not understand why the mayor of our city, and we respect it did not reflect this in turn great wealth for the city of Bologna is the Orchestra of the Teatro Comunale.
We know that there's a crisis-who does not know-we know that the musicians dedicate their professional life to the work that is commissioned, we also know that it demands the sacrifice on their part than a salary but is far from salaries of those who administer and direct the orchestra itself.
So we would like to know why employees are charged to the Foundation assumed financial difficulties when the musicians have nothing to do (now and in the past) with the management of the foundation, with the management of resources and with the choices in the expenditure, in investment and same direction. The teachers are simply conducting the employees who are evaluated based on the quality of performance and artistic achievement, and this can only be called or made the object of evaluation.
So we ask the city as well-but not only - to those who administer, because of the evident intention of sinking of our orchestras.
And do not you say that is not true because the facts do not speak without words: the truth about - frankly, a little questionable - it seems to us the sight of all: cancel a contract or a commitment made for the payment of premiums, which are part of the contract or cancel a agreement with a program of concerts already planned and continually discredit members of the orchestra, which can do very little with regard to management decisions and planning, it also means, if not first, you want to create misinformation, confusion and alienation of citizens.

And then, as now used like this, we allow our Mayor, Councillor Sita, the superintendent Tutino, modest to ask these 10 questions, hoping to receive a response not so much about it but due to us, and above all, because due to the city, thousands of citizens who love this orchestra and they ask, even in the silence of the corridors at the end of the concerts as they watch the musicians or the exit of the theater that communicate their discomfort, to make the project more clear that this Administration and the Foundation have

To understand, what you want to do a public good so valuable?




THE 10 QUESTIONS 1) Why is the Superintendent, invoking a spirit of austerity, decided to reduce the wages of all employees, through a mechanism that releases him from this reduction and management of the Theatre?

2) Why the Superintendent chose to program an opera season, in a time of serious economic difficulties, made exclusively of new products, even if in collaboration with other foundations? And why were not used and appreciated the previous productions?

3) The funds which go to the Municipal Theatre Foundation, (state funds, regional funds, private funds) that have suffered decline, if they have suffered over the last five years?

4) Why is the Superintendent continues to refer, in speaking of the salary of the professors of the orchestra, the cost of doing business, not even just the gross actually received, increasing by about one third the perception that the average reader of a newspaper can have the same teachers' salaries of orchestra?

5) Why was interrupted by the Foundation of did prevent the activity, the agreement with an association (the orchestra of the Teatro Comunale Bologna) who, without a contribution of € based sull'associazionismo public institutions and about 1800 people, producing culture throughout the city?

6) Why did the President of the Foundation is so diligent in closing the business of a private association - which the above named Philharmonic - which, by convention speakers to the door of the theater on 3% of their revenue, at a time which claims a lack of funds available to the Foundation?

7) How is it supposed to judge the competitiveness of the Philharmonic Orchestra of the Teatro Comunale di Bologna is a body such as the Board of the Foundation within which sits the President of the Bologna Festival that takes place - this is - competitive activity to the activity of the symphonic season of the Teatro Comunale?

8) How come the new season by resorting to the use of numerous artists from the School of the Opera "without this being in any way stated in the general program, selling facto performances are not up to a large theater with the history of the Teatro Comunale di Bologna and without all the spectators are aware of it when choosing?

9) What are the costs of the "School Work" supported by the Foundation?

10) How funds are used, particularly as affected by decisions on the composition, the programming choices, the office can, in organizing the activities of the Orchestra (concerts, operas, etc.). And the balance of the Foundation?



For those who wish to join in this appeal:

lanostraorchestra@gmail.com

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-section. I, Judgement of November 4, 2009, No 23411 Parma

It reaffirms the principle of mandatory child support natural
consistent with the equalization of treatment due respect to legitimate children, wanted by the Constitution. The novelty of this ruling, the case law with respect to legitimacy, is that it claims as the rule is that of maintaining direct from each parent (being the only possible estimate of the check and balancing).

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an improvement over the "weighting" of the family already arising from the ISEE .... What do you think?

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Wonder and tremors




"Noriko, Japan, he learned Italian. Tortelli kitchen now."
From billboard that cover the station relies on two things: Noriko and 'a lucky woman,' cause the ravioli - beyond the 'pride of all - are more' good sushi. But it 's also a hard luck woman: to learn Italian and finish in Reggio Emilia and' how to be able to swim and stay in a pool. For a woman who could climb the hills of Reggio Emilia Fujiyama content to be little rewarding. I do not know many Japanese women eager to live in our country. This exception Masako, ethereal creature like a geisha and devotees' sacrificed to the cause of his favorite content. Wherever you and him singing 'this, wherever he decides to live (a house in Pesaro) you want to stay. Our meeting memorable, memorable and its ticket office to make a small place in the gallery. I do not know if Masako has ever climbed Fujiyama, but finding a ticket to listen to Juan Diego Florez and 'equally titanic undertaking, worthy of deep admiration. Certainly
and 'a time when strange matches (or more' banal coincidences, in which life is difficult to get used to) bring me in contact with the Rising Sun. Amélie Nothomb's book, "Wonder and tremors," as the author brings me to aspire to noble and legitimate dreams of grandeur, and finally crushed by the weight of events to clean the toilets in a men's room of the Assemblies of Treviso. With the same result: you can 'feel perfectly satisfied even in mediocrity' more 'obvious. Nothomb's book does, however, 'another small miracle: it causes in me an irresistible urge to write. More 'I read his stories and more' I desire to give to my space. With a superb consolation: she 's very good when talking about herself and her experiences, and it fits like a glove and to those who' always been accused of only ever look inside himself, sometimes with a magnifying glass' magnification, sometimes with a microscope.
Cosi 'every detail around me takes on a dimension of "literary", every cloud in the sky-is-for example, adjectives often associated with effect, as if he needed to be described as a special. It 'something I love and that makes me feel good: the idea of \u200b\u200blooking at things with the need' to tell me makes them seem special and worthy of special attention. It allows me to be more 'receptive, more' sensitive every little aspect. Sometimes I am overwhelmed by my feelings, 'sometimes I can control it and turn it into a number of drivers that allow me to enjoy more things. It remains open the question of whether suffering only generates more things' genius. I do not know, but I 'have a new desire. I do not want more 'readers. Constraints, criticisms or comments will no longer be 'part of my game. So 'I continue my blog after nearly 10 months of absence. Sketched with a smile on his lips.