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The strength of sweat


Forza del Destino, Parma 08feb11

propose a small law: when you have this pool will be forced to take a shower before taking a dip in the tub? I know, water and 'icy cold, but at least it keeps the sweat off. Maybe you pretend, you put them 'with the flip-flops to slippers, lengthen the Gambetta and let your feet wet, the first one and then the other, shiver a bit ', then suddenly there it takes a wave of discomfort or even better with both hands take courage and a bit' of water and I put it on the head .. here is the same thing should happen in a gallery respectable. An agent who sniffs his armpit unrepentant and forces the music lover in the closet to get her nice shower before sitting down. Last night the invocations to Our Lady of the Angels were so that 'the public could find a physical purification as well as spiritual, as the stench and waves had taken over. Another consideration: how can 'a gallery so' demanding and attentive as the theater Parma afford a blunder not to contest a show so 'weak? As have no ears for the content of the constant fatigue, inadequate soprano, orchestra and the weakness of his first svogliatissime parts? Mr. Gelmetti, who directs how it can 'do, he inserted a picture in his score at the beginning of each act. In the first task of a baby with a bright sweater. Child or grandchild that is, puts in a good mood to know that at least the director has good intentions (unless it is a cornet lucky to combat the well-known halo surrounding the disaster site). There can, what you hear and above all that we see really leaves a bad taste in my mouth. I know, I will contest 'that the voice has priority' on the gesture, singing and stage action, but rarely happens to attend such events' gloomy and funereal in which the choreography (costumes stolen from the Addams family, complete with black fringes dangling from the sleeves) are nothing short of embarrassing. Mr. Poda has probably seen some recent performances by Daniele Abbado (broken walls that reunite, build backdrops, and whose harshness' create spectacular effects most important) but she assumed the worst sides. His show in black and white and 'ugly beyond measure, with no chance' of appeal, and sinks into a cupaggine from which emerges is certainly not due to some golden light. The Virgin of the Angels seem to be sung in a black mass, and perhaps begin to suspect that the disaster icombente to exorcise the "Force" it really is. Gallery of the world, do not be diverted by the desire to stay in the theater, listening to Verdi, to pretend that your favorite singers have the polish of ten or twenty years ago: be objective, destroy, emphasized the good things and things bad, make your voice heard without fear. With a little 'more' of deodorant, for charity '.

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There 's nothing to laugh



Tannhauser, Bologna Teatro Com, 14jan11

In September 2004 the library of the Duchess Anna Amalia (Herzogin Anna Amalia Bibliothek) Weimar suffered 'a serious fire in which more than 50,000 books were lost, with severe damage to world culture. The library 'was reopened after three years, returning more 'than ever to be the heritage of humanity that already' had awarded the UNESCO in 1998. Today the institution has assets of 1 million volumes in 11,000 dedicated to the theme of Goethe's Faust. The great hall of the Castle of Warburg, where traditionally held the second act of Tannhauser, is so 'identified in spirit to the crash site, where the flames are literally off to a firefighter in uniform causing some confusion among the spectators. But there 'nothing to laugh at: Never before culture and' at risk. And the opera, pure and mistakenly considered mere entertainment, is no longer 'seen by the current class as crucial to the cultural background of our country. Cosi 'come the tears in his eyes when we see the final scene of a child to stretch his hands to a volume of his library, focusing on reading the game of a ball rolling on: the story will be' read, and reading it will guarantee 'a perpetual existence in the memory and culture of the people who will make' her. The singer, here transformed by director Guy Montavon a poet, he wrote himself, and his listeners instead makes him. His singing is therefore not lost in the moment of listening, but remains in memory of his readers. Carla Moreni in a recent review retrieves a nice quote the President of Harvard: "If you think education is expensive try ignorance." Thus' there is Tannhauser and complains if it 'lacks the sumptuous' from which' generally Wagnerian opera, and it matters little that the Venusberg is immersed in a sea from which echoes the song of the sirens to make it visible, we think that the newspapers report the news Arcore from home. The direction of Anton Reck and 'light and romantic, can be powerful but not the score weighting of bombast, it helps to think rather than being overwhelmed. Ian Storey in the third act can overwhelm its intense story, and in the final scene is elevated above the company confirming his immense talent. Very good the other, except for some minor trimming of the singers. Enormous choir. In this conflict between sacred love and profane love, between reason and feeling, between the carnal pleasures and the pleasures of the spirit is missing an ingredient necessary to explain human nature: its fragility 'and imperfection. Serve to lower the level between gods and men, including pure virgin and unrepentant sinners. But that guilt exists, among the lowly in heart, and 'inevitable ... who has been missing from our ruling class (and who is ditching our heritage) and now' out of the question.

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long wary of those who, as did Alberto Agazzani in his dramatic speech, he began to cry during a performance "This is NOT 'Chicken," as if Pollito went to lunch with him every holy day allowing them to have an exclusive on who can 'recognize. I recently found on a site online opera (Opera yet another click, sgnak, disk, pim pum pam) a reviewer who said the coat of arms "this is not 'Brynhild." Gia ', some people go to bed with the Valkyries. What seems not only arrogant, but even unsympathetic, arrogant and overbearing. I have seen in my career as a spectator only three Valkyries, and unfortunately only on video (two of which Barenboim direction even if on purpose): I have no reference points, normally do not go to Wagner (despite several travel visa-a Parsifal in Venice Tannhauser a Scaliger, a Siegfried in Florence and other things seen in Bologna, including a gorgeous gold of the Rhine directed by Pier Alli), but I found it very successful show in Milan. Barenboim and 'a river, less precise and dramatic Metha, with fast (the first act in the first place, and I' thought) that allow you to follow the story as if it were a story in which impassioned. And I 'enjoyed enormously. Not to mention the voices, all that I found more 'or less successful, with a superb theatrical interpretation of Meier, enhanced by televising. The magnificent Stemme, Kowaliow credible (maybe a little 'tired in the final, but he feels inaccessible!), O Neill better in the first part, in short, all very pleasant and smooth. The direction and 'pure theater, the forest Matrix-style lines with red blood and I' liked the of sculptures of horses and 'to great effect, and projections (unlike Fura) are not intrusive. I share the acclaim and continue to turn up their nose at the usual snob insatiable music lovers. When the foundations of lyrical force cuts will no longer 'way of doing nothing, or at least worst only works in concert with singers unlikely, then these snooty will be able to cover themselves head to ashes ....

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Barabbas with sketchbook for ipod4

Barabbas, a drawing made by hand with Autodesk Sketchbook 4 ipod / iphone, app of low cost (0.79 €, I pay around € 2.99 i: () and enhanced with two more free app: OldPhoto PRO and Adobe PS Express. Above the final image and follow the steps.

The original design after OldPhoto Pro

design with Autodesk Sketchbook.

Drawing, on the iPod screen is not easy. The program is well designed but I do not know if it is really possible to get great results. This is one of the first drawings that I bring it to fruition.

Alb