There are books which, according to the Nothomb, make us become "readers." The randomness' with which we are sometimes leaves room for interpretations curious, as if the items found us and not vice versa, as if we intended to have the lighting on the road to Damascus exclusively in Damascus and not elsewhere. For some 'time this city' langue. E ' be sad and jaded adult readers, 'cause inevitably you have to apply the words of Wilde to everything you read: "there are no ugly or beautiful books, books are well written or badly written." We do not fascinate you leave easily, but sometimes it takes comfort with a personal style and pleasant la'della smallness of the narrative. The problem, however, 'and sometimes' in ourselves. The beauty of a book, or a show, often has to deal with our experience, with the accumulation of things seen and heard during the years known, which makes us a most 'sensitive to beauty but also much more' demanding in finding new and creative. Nell'imbarbarimento general in our society 'certain messages do not possess more 'strength and lucidity' need to carve our hearts, if we are faced with a simple scratch is the most 'of the time,' already 'an extraordinary event that can' fill our minds and our spirit. Some important ecological operators do not have more 'polish and power, beyond' the beautiful packaging (The Blue Planet, Peter Greenaway), some movies seem to be the remaking of themselves (such as not finding the last embarrassing resemblance to Ken Loach Play It Again Sam by Woody Allen?). The
Salome 'Straussian view in Bologna, "snob provocation" of a superintendent who can not play it the meaning' the first I 'of the second word,' a show that draws more images of our memory, much like a strong visual impact, but that on balance can scratch our indifference. A beautiful red curtain vertical omen too suggestive of bloodshed, faces a similarly red stage, ready to shatter on the actions of the protagonists, the story rips us, the text of Wilde and 'unique voices of the singers are flexible and full of expressiveness ', and if the director is not' always ready to amaze calibrated at least leaves an impression of taste and authority. Shows that when viewed in the past have left a very different impression on me soul, are now popular with more 'despite lukewarm enthusiasm continue to be the best things around. I shudder at the words of Caramel Well, that devoured by ennui of contemporary theater is let 'slip that the thing most viewers for a' nice to see in the room was the huge crystal chandelier on the ceiling. We hope to continue to keep their gaze to the stage ...
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