long wary of those who, as did Alberto Agazzani in his dramatic speech, he began to cry during a performance "This is NOT 'Chicken," as if Pollito went to lunch with him every holy day allowing them to have an exclusive on who can 'recognize. I recently found on a site online opera (Opera yet another click, sgnak, disk, pim pum pam) a reviewer who said the coat of arms "this is not 'Brynhild." Gia ', some people go to bed with the Valkyries. What seems not only arrogant, but even unsympathetic, arrogant and overbearing. I have seen in my career as a spectator only three Valkyries, and unfortunately only on video (two of which Barenboim direction even if on purpose): I have no reference points, normally do not go to Wagner (despite several travel visa-a Parsifal in Venice Tannhauser a Scaliger, a Siegfried in Florence and other things seen in Bologna, including a gorgeous gold of the Rhine directed by Pier Alli), but I found it very successful show in Milan. Barenboim and 'a river, less precise and dramatic Metha, with fast (the first act in the first place, and I' thought) that allow you to follow the story as if it were a story in which impassioned. And I 'enjoyed enormously. Not to mention the voices, all that I found more 'or less successful, with a superb theatrical interpretation of Meier, enhanced by televising. The magnificent Stemme, Kowaliow credible (maybe a little 'tired in the final, but he feels inaccessible!), O Neill better in the first part, in short, all very pleasant and smooth. The direction and 'pure theater, the forest Matrix-style lines with red blood and I' liked the of sculptures of horses and 'to great effect, and projections (unlike Fura) are not intrusive. I share the acclaim and continue to turn up their nose at the usual snob insatiable music lovers. When the foundations of lyrical force cuts will no longer 'way of doing nothing, or at least worst only works in concert with singers unlikely, then these snooty will be able to cover themselves head to ashes ....
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